Staff Reports
Disney’s new Snow White movie is shaping up to be one of the biggest bombs in Hollywood history. Theaters across America are sitting empty, fans are furious, and critics are calling it a disaster. This mess proves that audiences are tired of Disney’s woke politics ruining classic stories. Here’s what went wrong.
She trashed the original Snow White film as “dated” and mocked Prince Charming as a “stalker.” She bragged about turning Snow White into a “strong female lead” who doesn’t need a prince. Fans called her arrogant and refused to support the film. Her attacks on Trump voters didn’t help either.
Disney replaced the beloved dwarfs with a “diverse group of magical creatures” to avoid offending people. But this move angered fans who wanted the classic characters. Even actor Peter Dinklage called the change “backwards.” Families wanted the real story, not a lecture on diversity.
Photos from California to Utah show empty seats at prime showtimes. One theater near Washington D.C. sold ZERO tickets for a Saturday night showing. Box office numbers are a joke—$43 million domestically and $87 million globally. Experts say Disney could lose over $150 million on this flop.
They canceled her interviews and held a secretive premiere in Spain. Instead of fixing problems, they bribed critics to write fake reviews. But fans saw through the lies. People want good movies, not lectures about “toxic masculinity” or “white privilege.”
Loyal customers who loved “The Lion King” and “Beauty and the Beast” skipped this remake. It earned less on opening weekend than “Dumbo,” which Disney called a failure in 2019. The studio spent $250 million to make Snow White “woke,” but families said NO.
Reviews say the plot is confusing, the acting is weak, and the CGI dwarfs look ridiculous. One critic called it “a masterclass in how NOT to remake a classic.” Disney forgot that storytelling matters more than pushing agendas.
Upcoming films like “Moana” and “Lilo & Stitch” could face similar backlash. Families are fed up with Disney twisting beloved tales into political propaganda. Executives need to listen to fans—not activists—if they want to survive.
Hollywood’s obsession with “modernizing” classics has backfired. Snow White’s failure shows that audiences want entertainment, not activism. Disney should focus on making magic again… instead of destroying it.
