Disney’s new Snow White remake is crashing hard at the box office, and comedian Tim Dillon isn’t surprised. He says the movie’s “woke” choices and the star’s loudmouth politics ruined it. Instead of sticking to the classic story, Disney replaced the seven dwarfs with “magical creatures of all sizes and genders.” Dillon calls this a slap in the face to little people who could’ve had rare acting jobs. He says the new characters look like “homeless heroin addicts” instead of beloved fairy tale figures.
Dillon didn’t hold back about Rachel Zegler, the actress playing Snow White. He joked that she should be “locked in a cage” for trashing the original story and rambling about politics instead of promoting the film. “No one cares what these actors think,” he said. “They’re not saving Gaza—they’re playing Snow White!” Dillon argues Hollywood stars keep embarrassing themselves by preaching instead of entertaining.
The comedian tore into Disney’s obsession with DEI—diversity, equity, and inclusion. He says DEI let “mediocre people” bully companies into bad decisions just to look “woke.” For years, corporations paid six-figure salaries to DEI officers who did nothing but stir up drama. Now that DEI programs are getting scrapped, Dillon cheers it as a win for common sense. “Merit matters more than race or gender,” he says.
Original Snow White was about a timeless story. The remake? Dillon says it’s about pushing agendas. Disney claims they changed the dwarfs to avoid “reinforcing stereotypes,” but fans aren’t buying it. They’re tired of lectures hidden in kids’ movies. If the film had focused on quality instead of politics, Dillon thinks it could’ve been a hit. Instead, it’s a boring mess nobody asked for.
Zegler’s constant complaints about the original Prince and “outdated” themes didn’t help. Dillon says actors should stick to acting. When they rant about real-world issues, fans see right through it. “They’re losers reading lines written by smarter people,” he joked. Hollywood keeps hiring unlikable stars who hate the stories they’re paid to tell. Then they wonder why audiences stay home.
DEI didn’t just hurt Snow White—it infected everything. Schools, museums, and even sports teams hired “diversity cops” to shame anyone who disagreed. Dillon says CEOs gave in because they were scared of looking mean on Twitter. Now that the DEI craze is fading, he hopes companies will focus on talent again. “Stop letting activists run your business,” he warns.
Disney used to make magic. Now they make mush. The woke remake trend is backfiring because families want fun, not finger-wagging. Snow White’s failure should be a wake-up call: stop ruining classics to score political points. Dillon says Hollywood needs a reality check. “If you can’t tell a story without lecturing, maybe don’t tell it at all.”
Tim Dillon’s message is clear: keep politics out of fairy tales. Let actors act, let writers write, and fire every DEI consultant alive. Audiences just want good movies with heart, not ham-fisted activism. Until Hollywood learns that, more flops like Snow White are guaranteed.