Staff Reports
A new animated film about Jesus Christ is making waves in theaters, and conservatives are calling it a breath of fresh air in Hollywood’s stale culture wars. The King of Kings tells the story of Jesus through the eyes of Charles Dickens as he shares the gospel with his young son. Early box office numbers show the film outperforming expectations, with $2 million in previews and a projected $12-14 million opening weekend. Critics on the right see this as proof that audiences crave faith-based stories over woke reboots like Disney’s Snow White.
The movie’s star-studded cast includes Kenneth Branagh as Dickens and Oscar Isaac as Jesus, blending classic storytelling with cutting-edge animation. Angel Studios, known for backing projects that align with traditional values, distributed the film. Their “Pay It Forward” program lets supporters buy tickets for strangers, creating a grassroots movement around the film. This stands in stark contrast to Disney’s recent box office struggles, which many conservatives blame on the company’s push for progressive messaging over timeless values.
Families are flocking to theaters for the Easter season, with many calling The King of Kings a much-needed alternative to Hollywood’s usual fare. The film’s focus on faith, sacrifice, and father-son relationships hits home for parents tired of content that undermines biblical principles. Early viewers praise the film’s emotional depth and refusal to water down the gospel, even as it remains accessible to children.
Angel Studios is offering discounted guild memberships this Easter, including free tickets to The King of Kings for premium subscribers. This strategy not only boosts ticket sales but also builds a community of supporters dedicated to funding future projects that celebrate faith and family. For conservatives, it’s a winning model that proves entertainment can be both profitable and morally grounded.
As Disney grapples with backlash over its recent films, The King of Kings serves as a reminder that audiences still hunger for stories rooted in truth. The film’s success signals a shift in cultural tides, where faith and tradition are no longer sidelined but celebrated. This Easter, families have a clear choice: embrace the light of The King of Kings or settle for the fading spark of Hollywood’s failed experiments.
