Princess Diana’s brother, Charles Spencer, has put a new memoir on bookstore tables and stirred up a royal storm. The book, Swan Song, contains explosive lines about King Charles III and some vivid memories of the days after Diana’s death. That would be news enough. The bigger problem is what looks like a mix of strong feelings, shaky memory and at least one clear factual error — all amplified by a major publisher and the national press.
The explosive claims that lit the fuse
In the serialised excerpts, Earl Spencer recounts phone calls and moments that paint then‑Prince Charles as callous — lines like “rest assured, we’ll forget her soon enough” and a description of a later call as “giddily elated, like a lottery winner.” Those are serious charges to level at King Charles III. Buckingham Palace did something you hardly ever see: it publicly disputed the accuracy of the passages and suggested grief can “cloud reason, affect judgment and colour memory.”
A glaring mistake, an apology and a legal headache
Where fact-checking failed
Then came the incontrovertible misstep. Spencer apologised for a factual error linking broadcaster Piers Morgan to certain 1990s photographs of Diana. Morgan has vowed legal action, and rightly so. If you are going to publish explosive claims about living people, the basics of fact‑checking must be rock solid. When publishers and serialising newspapers bankroll a memoir without catching that kind of mistake, they own part of the mess.
Why this matters beyond tabloid drama
This is not just royal gossip. It’s about the historical record, reputations and legal exposure. A major publisher put Swan Song into the world and national papers ran excerpts. If the book contains demonstrable errors, we can expect corrections, possible reprints and — yes — lawsuits. Citizens and readers deserve truthful memories, not theatrical recollections that tear at the fabric of public life. Memory is fallible; facts are not.
Lessons: accountability, not gaslighting
There are two takeaways. First, grief doesn’t grant anyone a free pass to rewrite events; authors must be held to fact-based reporting even in memoirs. Second, institutions — from publishers to the media — must stop treating sensationalism as scholarship. If the Palace felt it needed to push back, that tells you this goes beyond family squabble. Let the courts sort the factual errors, let publishers correct their books, and let readers ask one simple question: who checked the facts before the ink dried?

